Alinta's Cyberpoetry blog

Tuesday, October 19, 2010

It’s Beginning to Hurt
by James Lasdun,

‘Good lunch Mr Bryar?’

‘Excellent lunch.’

‘Sorleys?’

‘No, some … Chinese place.’

‘Your wife rang.’

He dialled home: his wife answered:

‘Where on earth have you been?’

‘Sorry darling. Complicated lunch…’

Strange, to be lying to her again. And about a funeral!

‘Tom’s coming down. Stop at Dalgliesh’s, would you, and pick up a salmon. A wild one? Better go right now, actually, in case they run out.’

It was July, a baking summer. He walked slowly, thinking of the ceremony he had just attended. Among the half dozen mourners, he had known only the solicitor who had introduced him to Marie ten years ago and had told him of her death last week.

The news had stunned him: he hadn’t known she was ill, but then he hadn’t seen her for seven years. Throughout the service he had found himself weeping uncontrollably.

The man at Dalgliesh’s hoisted a fish the length of his arm from under a covering of seaweed and ice.

‘How’s that?’

‘Okay. Would you –’

‘Gut her and clean her sir?’

‘Please.’

The man slit the creature’s belly with a short knife, spilling the dewy beige guts into a bucket. He rinsed the flecked mesh of scales and the red flesh inside, then wrapped the fish in paper and put it in a plastic bag. It was six inches too long for the office fridge.

‘Bugger.’

He went down to the stock room. There were gluetraps lying about with dead mice and beetles on them, but it was cooler there than upstairs. Uneasily, he placed the fish in the drawer of an old metal filing cabinet.
For the rest of the afternoon he worked on new rental listings. His eyes were burning when he stopped. It was late and he had to hurry to the tube station. Sweating and panting he emerged at Charing Cross just in time to get the six-forty.

On the train, crowded with weekenders, he found himself thinking of Marie. Sometimes she would sing a nonsense song in his ear, her mouth close as if she were whispering a secret. He remembered the strange solitariness of her existence in London; her even stranger indifference to this solitariness. They couldn’t afford hotels so they used to pretend she was a client, interested in one of the properties listed with his firm. Every home they entered was a different world. Making love in the ‘sumptuously appointed Victorian maisonette’ or the ‘cosy garden flat’ was an adventure into a series of possible lives, each with its own reckless joys: one afternoon they were rich socialites; the next a pair of bohemian students… For three years he had felt the happiest man alive, and the luckiest. Marie never asked him to leave his family, and he had regarded this, too, as part of his luck.

And then, abruptly, she had ended it. ‘I’m in love with you’, she’d told him matter-of-factly, ‘and it’s beginning to hurt.’

His wife was waiting for him outside the station.

‘Where’s the salmon?’ She asked.

A sudden horror spread through him.

‘I – I left it behind.’

She turned abruptly away, then stared back at him a moment.

‘You’re a fool.’ She said. ‘You’re a complete bloody fool.’


James Lasdun is the winner of the inaugural National Short Story Prize

Sunday, October 17, 2010

Week 6

Turn a story idea into a transmedia story. You can use the story provided or you can make one up on the fly. These elements must be used:

Book format
Movie format
TV Animation format
Song format
Dance format
Iphone App format
Website format
Game format
One of these must be an extension of one character

Get into groups and perhaps each person can focus on each segment.
So what you need to do is break the story up into sections, and decide what format will work for each segment. AND in what order the segments will come.
Once you have the layout that you think is best, you need to explain each section. Don’t worry, you don’t have to do any dancing! (Unless you want to… I’ll consider it participation).
You have to decide which character deserves the extension, and in what format will the extension come. Will it be a main character that the audience loves or indeed one of the more minor characters who may need more said about them to flesh out the fictional world?
In your movie format section, you must draw up a storyboard on the templates provided, if you need more room for explanation, you can use your notebooks.
For the TV animation format you must decide whether this should come before or after the movie is released, or in fact if it runs at the same time.
The same applies for the book format, so you must decide which parts of the story get told in the book, but will not be told in any of the other sections, etc. Remember to question how this book will be distributed… you can have it as an e-book as well as a paper bound book.
You must re-write one part of the story to make is suitable for the song format. So a lot of editing may be required, a lot of rewording perhaps to simplify matters, and if possible, make it rhyme. A basic pop song goes for about three and a half minutes, has two stanzas and then a chorus, then a third stanza and then the chorus again - something to keep in mind.
You must decide which part of the story needs no words and can be retold through the dance medium, and what kind of dance would be used (would it be a ballet, a contemporary piece etc). Remember to ask yourself when this segment will appear etc. As well as releasing your song at some stage, you can use your song inside of your dance if you wish to, turning your dance into a Broadway style piece.
You must design your website and decide what it makes available to the user (what will the content be?).
You must design your Iphone App and decide what it makes available to the user.
You must design your game – what mediums will it be available on? What characters will the user be able to play as? Will there be a main one? What struggles/levels will be faced? When will you release it and how will it be marketed Etc.

Saturday, October 02, 2010

Week 4

See people's blogs

Look at Audacity



www.secrettechnology.com

In the economist article 'Your Telephone is Ringing', in what way is the word 'convergence' mainly used?

In this same article chairman of France Telecom says that this convergence is a step towards 'digital paradise' and Mark Wegleitner, chief technologist at Verizon says this is because they can now give people entertainment 'the way they want it'. What do you think of this?

This article, written in 2006, briefly deals with the idea of the 'quadruple play' and how telecoms are scrambling to get there first. It's now 2010, what can we see has happened since then on this issue?

In "All Things to All Men"

“We have to be extremely careful that we don't go
in the Swiss army knife kind of direction where we lose focus on what the consumer wants,” says
Olli-Pekka Kallasvuo, the boss of Nokia, the world's biggest handset-maker." He goes on to say "The trend is not towards a single
converged device, but towards a greater diversity of hybrid devices. Not so much convergence,
then, as divergence."



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Consumer Lifestyle News

Nielsen asks what device is a tablet computer most like? And finds out that it is 'in between'. This research group studies several different aspects in order to come to this conclusion of convergence...

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Recent Media Example...

TV industry show hails smartphone, Facebook era - Yahoo News


"Internet-based TV viewing, the arrival of Apple's iPad and the proliferation of smartphones are set to ring in a new era of connected entertainment, industry experts predict.

Thousands of TV execs are to flock to the French Riviera to brainstorm and snap up some of the hottest new programmes at this year's influential MIPCOM 2010 audiovisual entertainment show that kicks off here Monday.

The four-day event will focus on re-defining the entertainment experience through fast-growing digital platforms such as social networks as well as smartphone-connected digital TV and apps and their effect on the industry.

"The business model for the web has not yet emerged even while the business model on TV is shifting dramatically," Gary Carter, chief operating officer at international production company FreemantleMedia told AFP.

"The two big areas of exploration for FreemantleMedia in the last 12 months have been the use of our brands in social games and on social networks," Carter noted.

Games such as FarmVille or Bejeweled, both of which are available as apps on Facebook and Apple's iPhone, are spreading like wildfire, Carter added.

Digital technologies are expected to steadily increase their impact on all segments of entertainment and media.

The number of apps on offer to iPhone, iPad and smartphone users is exploding and promises to usher in a new era for the media sector.

In 2010, almost 6.0 billion paid-for and free apps are predicted to be downloaded, up from around 2.4 billion in 2009. This surge in sales could yield over 11 billion dollars in revenue by 2014 in the US alone.

The bottom line here is how the entertainment, digital and advertising sectors can work together to create much-needed new revenue streams."


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From Flew textbook:

Boundary Objects

Path Dependency

Internet Imaginaire

Convergence Culture

Participatory Culture

Collective Intelligence

Henry Jenkins

Patrice Flichy

From the Economist:

Access Agnosticism

Network Neutrality (and what did the text say about this being a reality?)



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Convergence between texts

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